Guide Avant-Garde Film: Forms, Themes and Passions (Short Cuts)

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In recounting the varied and extreme transformations this remarkable community has undergone, Evelyn Gonzalez argues that it was not racial discrimination, rampant crime, postwar liberalism, or big government that was to blame for the urban crisis that assailed the Bronx during the late s. Rather, the decline was inextricably connected to the same kinds of social initiatives, economic transactions, political decisions, and simple human choices that had once been central to the development and vitality of the borough. Although the history of the Bronx is unquestionably a success story, crime, poverty, and substandard housing still afflict the community today.


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Yet the process of building and rebuilding carries on, and the revitalization of neighborhoods and a resurgence of economic growth continue to offer hope for the future. Edward D.

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About this product Product Information Avant-Garde Film: Forms, Themes and Passions examines the variety of concerns and practices that have comprised the long history of avant-garde film. It covers the developments of experimental filmmaking since the modernist explosion in the s in Europe through to the Soviet film experiments, the American Underground cinema, the French New Wave, structuralism and contemporary gallery work of the young British artists. Through in-depth case studies, the book introduces students not only to the history of the avant-garde but also to varied analytical approaches to the films themselves ranging from abstraction Richter, Ruttmann to surreal visions Bunuel, Wyn Evans , underground subversion Jack Smith, Warhol to experimental narrative Deren, Antonioni.